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'Movin' Out' of a war that devastated a generation Review by Lucy Komisar
NEW YORK There was never a better time to remind the American public that war destroys the fighters as well as the targets. Twyla Tharp's jazzy rock ballet follows five working-class youths in the 1960s who sign up for the Vietnam War as an act of patriotism and adventure. The three boys (John Selya, Benjamin G. Bowman and Keith Roberts) go to war, and they end up either dead or on drugs, disoriented and emotionally detached from each other and "normal" lives. The girls (Elizabeth Parkinson and Ashley Tuttle) also pay an emotional price, and then there's the detritus of the Saigon "bar girls" that the U.S. Army considered appropriate R&R for the boys. Nothing is better than Tharp's powerful leaps and twirls to express the high spirits and energy of youth. Selya as the central character, Eddie, evinces a glorious exuberance.
Tharp's fluid style works for this story, though one misses the kind of witty jagged motions common in other pieces. One exception occurs when Eddie, in a stunning, joyous sequence in Central Park, seems to be running forward as he moves backward. The music is the rock style of Billy Joel, sung by Michael Cavanaugh. I can't comment on it, since I find rock a boring noise. (Jazz is something else.) A major drawback for anyone who has not become partially deaf through previous exposure is the decibel level, which at an early performance evoked the earsplitting intensity of warplanes. A return visit found the sound reduced. Still, better to be prepared. Fighter pilots wear earplugs. If you don't have a set, keeping your fingers in your ears also works.
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